Honest Jons Never The Same; Leave-Taking From The British Fol Revival 1970-1977 LP

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HJRLP019.NEVER.THE.SAME
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Leave-Taking From The British Folk Revival, 1970-1977
Honest Jon's Records

Never The Same celebrates the lost years of British folk: the 1970s. As far as mass popularity goes, the folk scene peaked in the 1960s — with Bert Jansch, Anne Briggs, Martin Carthy, Davy Graham and all. By the end of the sixties, according to conventional wisdom, it had morphed into folk rock (Fairport Convention and Steeleye Span) or singer-songwriting (Nick Drake and John Martyn), prior to disappearing into a netherworld of beards and real ale.

But what the pop histories don’t tell you is that the seventies were the real golden years for British folk music. The scene had gone underground, disappeared into the now totally unfashionable world of the folk clubs, but the musicians who’d come up in the heady years of the sixties hadn’t gone away — they were just getting better and better.

The trouble was the major record labels weren’t interested, not even the more folk-friendly indies like Island and Transatlantic. There was one exception, a man called Bill Leader. Leader was the man who had been behind the mixing desk on almost every major British folk record of the sixties, from Anne Briggs’ first EP to Davy Graham’s Anji to Bert Jansch’s bedroom debut. In 1969, seeing a yawning gap in the market, he finally started his own label.

Some of the names he signed up were already familiar on the folk scene — like Lal and Mike Waterson from the legendary singing family The Watersons. Most, however, were new names, emerging stars from the folk club scene. There was Dick Gaughan, a shy Scotsman who had to be talked into making records; and Nic Jones from Essex, who was close to giving up the unequal struggle to make a living from music when Leader signed him up.

Over the next ten years Leader put out a series of albums at a standard unmatched by any other major folk label. Not all of it was straight traditional folk. Leader was always open to experimentation and released albums as varied as the psych folk of Dave and Toni Arthur, the singer-songwriting of Rosie Hardman, and the elaborate arrangements of John Tams’ Muckram Wakes. He also released the song suite Bright Phoebus by Lal and Mike Waterson; and two of the songs here represent this lost classic. But at the heart of the label’s output were very simple virtues: great singers and great instrumentalists playing and singing the traditional music of Britain.

So here, for the first time, is a compilation of the lost wonders of the Leader label, repository of the hidden history of British folk music.

John Williams

Brand

Honest Jons

DER Platten Laden überhaupt am Ende der Portobello Road Londons. Egal ob spektakuläre Reissues oder super aktuelle und grossartige elektronische Musik - Honest Jon's hat die Finger im Spiel. "Informal University for music lovers" - wird der Laden liebevoll genannt und ist seit 1974 das Herz der Londoner Musik Community. Das Label Honest Jon's wird unter anderem von Notting Hill local Damon Albarn mitbetrieben. Seit 2008 veröffentlicht Honest Jon's immer wieder Leckerbissen aus den 150 000 78 - rpm Aufnahmen aus den klimakontrollierten archivräumen der EMI archives in Hayes England. Erhältlich bei: Kitchener Bern www.honestjons.com Honest Jon's is an independent record shop based on Portobello Road in Ladbroke Grove, London, operating since 1974. The shop is owned and run by Mark Ainley and Alan Scholefield, who took over from one of the original proprietors, "Honest" Jon Clare. Their record label of the same name is run in conjunction with Damon Albarn, who has been quoted as saying: "I don't really like the term world music. Wherever it comes from, it's all just music, isn't it? Hopefully that's what Honest Jon's is about - to open a few minds to what's out there."[1] The shop sells a multitude of genres of music on vinyl and CD, specializing in jazz, blues, reggae, dance, soul, folk and outernational. It runs a mail-order business from www.honestjons.com. Formed in 2002, the label has released compilation albums such as its London Is The Place For Me series, excavating the music of young Black London, in the years after World War II ("a fascinating archive of material from the 1950s and 60s, chronicling a time when diasporic rhythms were more or less the sole preserve of the small communities responsible for bringing them to these shores");[2] also collections of British folk, Port-of-Spain soca, Afro-Cuban jazz from the Bronx, Jamaican dancehall; and retrospectives of artists including Moondog, Maki Asakawa, Bettye Swann and Cedric "Im" Brooks & The Light of Saba. It has released original music by Candi Staton, Actress, T++, Hypnotic Brass Ensemble, Mark Ernestus, Trembling Bells, The Good, The Bad & The Queen, Simone White, Shackleton, Michael Hurley, Terry Hall, and the Moritz Von Oswald Trio. It recorded the chaabi orchestra of Abdel Hadi Halo on location in Algiers; Lobi Traore and Kokanko Sata Doumbia in Bamako; and Tony Allen in Lagos. In 2008, Honest Jon's began a run of compilations of early recordings — mostly drawn from the EMI Archive in Hayes, Hillingdon — stretching back to the start of the twentieth century, covering all corners of the world: from the break-up of the Ottoman Empire more than a hundred years ago, to 1950s Beirut, to late-1920s Baghdad, to 1930s East Africa. wikipedia

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