Honest Jons Let No One Judge You Early Recordings From Iran, 1906-1933 LP
Let No One Judge You
Early Recordings From Iran, 1906-1933
Honest Jon's Records
Ravishingly beautiful, achingly precious songs and instrumentals, ranging from two performances by the Royal Court Orchestra in 1906 — with futuristic, overlapping trumpets and exquisite clarinet improvisation — through to a hauntingly soulful Hafez setting by Moluk Zarrabi of Kashan, from 1933.
There are eight selections from more than three hundred recordings made in 1909 above the Gramophone Company offices in City Road, London EC1, by the travelling Persian Concert Party — with chimes, castanets and rattles lighting up its rueful, imploring, besotted love-songs. ‘I am crazy with envy of the dress asleep in your arms and the oils rubbed into your skin.’
The backbone of the collection is a set of powerful performances by women, in defiance of the social stigma attached to professional musicianship. A singer calling herself simply Helen turns in some boozy Hafez wisdom: ‘Keep your cards close to your chest. Kiss nothing except the lips of your beloved and the rim of a cup of wine. Let no one judge you.’
The great Jewish tar-player Morteza Ney-Davud is featured as soloist and accompanist, besides a series of staggering improvisations by Abd-ol-Hoseyn Shahnazi, and an anonymous, red-raw tar solo from the South Caucasus, captured in Tiflis in 1912.
The two CDs are sumptuously presented in a hard-back gatefold sleeve, with a 26-page booklet containing full notes and marvellous photos, on fine-art papers, stitched not stapled. The four 180g LPs are presented in two gatefold sleeves inside a heavy card slipcase, with a 12-inch-square, 20-page, saddle-stitched booklet on art paper. The music was painstakingly restored from 78s at Abbey Road studio in London.
DER Platten Laden überhaupt am Ende der Portobello Road Londons. Egal ob spektakuläre Reissues oder super aktuelle und grossartige elektronische Musik - Honest Jon's hat die Finger im Spiel. "Informal University for music lovers" - wird der Laden liebevoll genannt und ist seit 1974 das Herz der Londoner Musik Community. Das Label Honest Jon's wird unter anderem von Notting Hill local Damon Albarn mitbetrieben. Seit 2008 veröffentlicht Honest Jon's immer wieder Leckerbissen aus den 150 000 78 - rpm Aufnahmen aus den klimakontrollierten archivräumen der EMI archives in Hayes England. Erhältlich bei: Kitchener Bern www.honestjons.com Honest Jon's is an independent record shop based on Portobello Road in Ladbroke Grove, London, operating since 1974. The shop is owned and run by Mark Ainley and Alan Scholefield, who took over from one of the original proprietors, "Honest" Jon Clare. Their record label of the same name is run in conjunction with Damon Albarn, who has been quoted as saying: "I don't really like the term world music. Wherever it comes from, it's all just music, isn't it? Hopefully that's what Honest Jon's is about - to open a few minds to what's out there." The shop sells a multitude of genres of music on vinyl and CD, specializing in jazz, blues, reggae, dance, soul, folk and outernational. It runs a mail-order business from www.honestjons.com. Formed in 2002, the label has released compilation albums such as its London Is The Place For Me series, excavating the music of young Black London, in the years after World War II ("a fascinating archive of material from the 1950s and 60s, chronicling a time when diasporic rhythms were more or less the sole preserve of the small communities responsible for bringing them to these shores"); also collections of British folk, Port-of-Spain soca, Afro-Cuban jazz from the Bronx, Jamaican dancehall; and retrospectives of artists including Moondog, Maki Asakawa, Bettye Swann and Cedric "Im" Brooks & The Light of Saba. It has released original music by Candi Staton, Actress, T++, Hypnotic Brass Ensemble, Mark Ernestus, Trembling Bells, The Good, The Bad & The Queen, Simone White, Shackleton, Michael Hurley, Terry Hall, and the Moritz Von Oswald Trio. It recorded the chaabi orchestra of Abdel Hadi Halo on location in Algiers; Lobi Traore and Kokanko Sata Doumbia in Bamako; and Tony Allen in Lagos. In 2008, Honest Jon's began a run of compilations of early recordings — mostly drawn from the EMI Archive in Hayes, Hillingdon — stretching back to the start of the twentieth century, covering all corners of the world: from the break-up of the Ottoman Empire more than a hundred years ago, to 1950s Beirut, to late-1920s Baghdad, to 1930s East Africa. wikipedia